Thursday, November 14, 2019
Portrayal of Women in The Good Earth :: Good Earth Essays
      Portrayal of Women in The Good Earth           The Good Earth focuses around the life of a Chinese peasant, Wang Lung, who  struggles to overcome a poverty-stricken life. The accounts of Wang Lung's life  portray traditional China. One prominent aspect of this story is how women were  depicted in society. The role of women in China is woven throughout the novel.  Depending on their social status, each female character within the novel gives  readers a different perspective of a woman's role during this period. In  addition to their roles, the author includes the trials and tribulations these  women must face as well. As a whole, the importance of these female characters  are based upon their contribution to the ego's of the male protagonists and as  being providers of support to both family and order in society. In Pearl S.  Buck's The Good Earth, women are depicted to be consistent with the authentic  Chinese culture of that period.            Paul A. Doyle, a literary critic, remarks that Buck's stories were improbable  and simplistic (Chauhan, 1994, 120). He later adds: "In structure, The Good  Earth uses a chronological form which proceeds at a fairly regular pace. Buck's  stories take the epic rather than dramatic form, that is to say, they are  chronological narratives of a piece of life, seen from one point of view,  straightforward, without devices; they have no complex plots, formed of many  strands skillfully twisted, but belong to the single-strand type, with the  family, however, rather than the individual as a unit (Buck 35). As Wang Lung  and his father begin this family strand, one by one characters are introduced  from Wang's viewpoint. In regards to women in his society, he objectively  portrays them for what they are worth. In spite of his smooth surface, the novel  shows a complicated feminism. On the one hand, the woman's situation is clearly,  almost gruesomely, presented: Chinese village society is pat   riarchal,  oppressive, and stultifying to women (Hayford, 1994, 25). The clearest  illustration of this occurs through O-lan, the wife of Wang Lung.            O-lan comes about in the first chapter of the novel. At the age of ten, her  parents sell her off to the Great House of Hwang, where the village's wealthiest  landowner resides.  					    
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